Key points of the opera Oteiza with Ramón Andrés
Essayist, thinker, and poet Ramón Andrés offers insights into this world premiere, which brings the artistic quest of the brilliant Jorge Oteiza to the stage in an experimental key.
Free admission until full capacity is reached, upon presentation of an invitation.
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Ramón Andrés (Pamplona, 1955) is one of the most important contemporary essayists due to his solid humanistic knowledge and the originality with which he approaches the critique of history and Western tradition. He has written numerous articles on music and literature and has published books such asDiccionario de instrumentos musicales(Dictionary of Musical Instruments, 1995-2001),W. A. Mozart(2003-2006),El oyente infinito(The Infinite Listener, 2007), Johann Sebastian Bach. Los días, las ideas y los libros(Johann Sebastian Bach: The Days, the Ideas, and the Books, 2005),El mundo en el oído. The Birth of Music in Culture (2008),Not Suffering Company: Mystical Writings on Silence (2010),Dictionary of Music, Mythology, Magic, and Religion(2012),The Luthier of Delft: Music, Painting, and Science in the Time of Vermeer and Spinoza(2013),Semper Dolens: A History of Suicide in the West(2015),Thinking and Not Falling(2015), andClaudio Monteverdi. Lamento della Ninfa(2017), as well as the edition ofOccult Philosophy: Reasons for Music in Man and Nature (2004) by Juan Eusebio Nieremberg. In 2015, he was awarded the Prince of Viana Culture Prize, and in 2018, he became a member of the Royal Catalan Academy of Fine Arts of Saint George. |
Date
May 9, 2019
Time
6:30 p.m.