The discussion, variable measures
"Conversatorio" is a theatrical performance that belongs to the genre of performance art.
-Free admission-
Quico Cadaval agreesto talk to someone. The conversation time is divided between Cadaval and the client, using a strict chess clock. The conversation can be seen but not heard by casual passers-by. Cadaval guarantees secrecy regarding the subject or content of the conversation, and clients are free to disclose or distort it.
The performance "Conversatório" highlights the scarcity and irremediably hierarchical nature of any conversation. It is a machine that produces micro-dramas and allows us to identify the differences between colloquium, interrogation, confession, sermon, revelation, and other forms of conversation between two people.
"Conversatório, medidas variables" is a work by Quico Cadaval that was first exhibited in June 2008 at the presentation of the Ecléctica Ensemble album at the Galician Center for Contemporary Art in Santiago de Compostela. Five meters from the window of the CGAC café.
"Conversatório" is a theatrical act that belongs to the performance genre.
Quico Cadaval is a Galician actor, director, theater adapter, and narrator, and a driving force behind the radio theater movement that emerged in Galicia in the 1990s. He began acting in theater in the late 1970s at the Galician Drama Center, and ten years later he founded his own company: "O Moucho Clerc."
He is the author of texts such as O Códice Clandestino (1989), O rouxinol de Bretaña (1991) for the O Moucho Clerk company, and Espantoso (2002), winner of the María Casares Award for best original text of the year. In theater, he has directed, among others, the plays Días sen gloria (1993) by Roberto Vidal Bolaño, Noite de Reis (2008) by Shakespeare, Oeste solitario (2011) by Martin McDonagh, and Ópera dos tres reàs (2011) by Bertolt Brecht with the Centro Dramàtico Galego.
Other passes
Meeting with Quico Cadaval. February 5, 1 p.m.
"The discussion, variable measures" February 4, 2016,at 6 p.m.
Date
February 5, 2016