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How to do things with...

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"How to do things with..." is a program that addresses the relationship between heritage and contemporary creation. The title of the program refers toHow to do things with words(J. Austin, 1962), the work that introduced the concept of "performativity."

With the help of musicians, choreographers, researchers, and artists, cases of transformation or updating are addressed that show the performative presence of cultural heritage in contemporary creation.

On this occasion, the cycle consists of three events:

- How to do things with Officium Defunctorum by Tomás Luis de Victoria, September 15
- How to do things with "La noche de San Juan" by Roberto Gerhard, October 15
- How to do things with Poems, October 28

If the event is sold out, sign up for the waiting list. Unclaimed invitations will be distributed 30 minutes before the event. 

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Session 1:

CHCC...Officium defunctorum by Tomás Luis de Victoria

Wednesday, September 15, 2021, 7 p.m.
Classroom 2
Free admission with invitation. 

FULL CAPACITY.

Waiting list Unclaimed invitations will be distributed 30 minutes before the match.


Albert Recasens, researcher at the ICS and musicologist specializing in forgotten musical heritage, and Pablo Martín Caminero, double bass player and jazz composer, discuss the collaboration sponsored by choreographer and producer Antonio Ruz, in which Caminero has created a musical piece based on Recasens' historical recovery and recording of the Office of the Dead.

Two different visions and two different processes brought into dialogue thanks to Antonio Ruz's vision, which have given rise to the musical basis of the piece In Paradisum, to be performed at the MUN Theater on September 16 by the National Dance Company.

 

Albert Recasens


Musicologist, writer, researcher, and performer trained at the conservatories of Barcelona, Bruges, and Ghent. He holds a doctorate in musicology from the University of Leuven and has taught at various Spanish universities. Since 2005, he has devoted himself to the recovery and dissemination of forgotten musical heritage through the ensemble he founded, La Grande Chapelle, and the record label Lauda, with releases that are the result of rigorous research that has earned him the respect of the public and specialized critics, and has won him numerous awards.

 

Pablo Martin Caminero


A double bass player trained at the Vienna Conservatory, he is a performer, composer, and producer known for his diversity of genres and styles (flamenco, jazz, classical, baroque, etc.), of which he has recorded six albums to date. As a double bass player, he performs a repertoire of his own compositions based on flamenco and jazz in a quintet. Prior toIn Paradisum, he collaborated with Antonio Ruz as a performer in Double Bachand as a symphonic composer in Electra.

 

 

 

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Session 2:

CHCC... Roberto Gerhard's ballet "La noche de San Juan" (The Night of Saint John)

Friday, October 15, 2021, 7:00 p.m.
Classroom 2

Admission by invitation only. 
Pre-book your invitation and collect it at the box office up to half an hour before the event.

 


The ballet La noche de San Juan (The Night of Saint John), which will be performed on October 16 at the University of Navarra Museum, was conceived in the 1930s for the Ballets Russes de Montecarlo company, but the Spanish and European wars prevented its premiere.

Miguel Ángel Marín, who has led its recovery from the Juan March Foundation, Antonio Ruz, creator and director of the new production, and Miguel Baselga, who will perform Gerard's score on the piano, will discuss the process of recovering and staging a dance piece that has never been performed before, as well as the boundaries between historical interpretation and creative development.

Miguel Ángel Marín


Miguel Ángel Marín has been director of the Juan March Foundation's Music Program since 2009. 

He has developed a rich career as a researcher, teacher, and lecturer. He is currently a professor at the University of La Rioja and Principal Investigator of the research group "MECRI. Music in Spain: composition, reception, and interpretation."

 

Antonio Ruz


Antonio Ruz, choreographer and winner of the 2018 National Dance Award, has danced with the Ballet of the Grand Théâtre de Genève, the Ballet de l'Opéra de Lyon, and the Compañía Nacional de Danza. He is a regular collaborator with the Sasha Waltz company. He has presented Double Bach, Presente, Transmutación—the result of an artistic residency at the museum—and Signos at the MUN.

 

Miguel Baselga 

He is one of the most promising Spanish pianists of his generation. Originally from Aragon, but born in Luxembourg in 1966, he graduated from the Belgian Conservatory of Music in Liège and studied with Eduardo Del Pueyo until the Spanish pianist's death. In his career as a soloist, he has distinguished himself in his interpretations of Albéniz and Falla, of whom he has made prestigious recordings for the Swedish label BIS.

 


 

 


 

Session 3:

CHCC... Poems

Thursday, October 28, 2021, 7:00 p.m.
Classroom 2

Admission by invitation only. 
Pre-book your invitation and collect it at the box office up to half an hour before the event.

 

Meeting with artist and choreographer Aïda Colmenero, who introduces us to the creative processes behind Ella Poema, which forms part of the piece 2 de noviembre. El quitador de miedos(The Fear Remover), which will premiere on October 30 at the Museum.

Ella Poemais a project inspired by poems written by women that, since 2013, has been positioning female creators from more than a dozen African countries as artistic references on the international scene. To date, Ella Poema has produced 20 short dance films, six contemporary dance pieces, and several photographic series. The creators of Ella Poema are pioneers who draw on their particular geographical, cultural, and personal contexts in creative processes that transform a literary score into body language and audiovisual language. Drawing on their immediate everyday environment, their heritage, and their own creative impulse, Ella Poema conveys universal messages that challenge stereotypes about Black African female bodies and transgress narrative forms to offer a unique artistic expression.

The following short films will be screened:

Abismo | ella togotrailer
Inspired by the poem by Iosune de Goñi (Spain)

Trajectory of Dust VII | ella tanzaniatrailer
Inspired by the poem by Rosario Castellanos 

Scar of Light | Cape Verdegreentrailer
Inspired by texts on gender violence (Cape Verde)

 

Aida Colmenero Diaz


An actress, choreographer, and dancer, Colmenero trained at Germaine Acogny's École des Sables and is the only Spanish-speaking artist in the world certified to teach the Acogny technique.

He has a long career in the performing arts on the African continent and its diaspora. He has lived there for a decade and developed various projects. 

Download here the program with the poems that inspired the short films being screened.